Humanities Arts

Lingnan University held the Honorary Fellowship Presentation Ceremony 2024 today (3 October). Mr Andrew Yao Cho-fai, Council Chairman of Lingnan University, conferred honorary fellowships upon two distinguished individuals in recognition of their outstanding professional achievements and valuable contributions to the community and the education sector.

A luminary of modern Indian art, Jamini Roy is celebrated for his experiments with Bengali patachitra painting traditions and his brightly hued, bold and two-dimensional depictions of human, animal and mythological forms. Discover the legacy of this 20th-century artist, whose works have been declared national treasures of India under the Antiquities and Art Treasures Act, 1972.

To encourage the development of innovative and creative design in Hong Kong, Lingnan University partnered with the renowned German iF Design Award ⸻ often referred to as the Oscar of Design ⸻ to co-host the Meet iF in Hong Kong seminar today (24 September) at Lingnan@WestKowloon in the M+ Building in the West Kowloon Cultural District. This sharing seminar, its inaugural collaboration with the local higher education sector, is the first event the iF has held in Hong Kong and was attended by dozens of representatives of leading Hong Kong, Mainland China and overseas companies. Among the attendees were Hong Kong’s 2024 iF Design Award winners, including esteemed local interior designers Ms Virginia Lung and Mr Andrew Lam, who spoke about their own distinctive design concepts and styles.

A rare artefact of 19th-century tawaif culture, The Beauties of Lucknow is a fascinating photograph album from colonial South Asia. Compiled in 1874, it consists of 24 portraits of courtesans from Awadh in present-day Uttar Pradesh. Read more to know how Darogah Abbas Ali, the photographer behind it, reimagined Mughal-era muraqqa traditions and colonial portraiture to create one of the earliest works of nostalgia on the tawaifs of Lucknow.

A board game made of cloth or paper and featuring a series of squares, snakes and ladders, with the latter functioning as karmic devices, gyan chaupar was not only a popular recreation in ancient India, but also an important spiritual tool. Literally translating to the ‘game of knowledge’ this game instilled lessons on attaining moksha or salvation from the cycle of death and rebirth. Read more about gyan chaupar’s many variations in medieval India and how it gradually evolved into a children’s board game at the turn of the twentieth century.

Since the early 1900s, Indian women artists have consistently raised sociopolitical issues with their aesthetic and thematic choices. While painters like Amrita Sher-Gil were among the privileged few to have received global recognition in their lifetime, the works of Sunayani Devi, Mrinalini Mukherjee, Bhuri Bai and others have been overlooked in favour of their more celebrated male peers. Discover the rich legacy of feminist consciousness in modern Indian art and how it has been shaped by gender justice movements and caste reform in recent decades.

A historic folk tradition from Bengal, patua combines storytelling with scroll painting. Performers of this tradition travel from one village to another, reciting tales from Hindu epics like the Ramayana, and from local Santhal mythologies, bringing them to life by unravelling vivid scroll paintings illustrating these stories. Discover the ancient history, decline and revitalisation of this folk tradition, and how the government has used it to promote family planning in postcolonial India.

Fragrant, sweet, exotic and golden-yellow, the mango is an apt metaphor for summer in South Asia. Domesticated over 4,000 years ago, it has been a symbol of wealth, desire and luxury in the subcontinent. Peel back the layers of this iconic fruit to reveal the reasons behind its enduring popularity and read more about mango’s significance through art objects and discover how artists and craftsmen have tried to capture its essence in all its glory.

A 90-acre garden complex in the heart of New Delhi, Lodi Gardens is one of the city’s most-loved public parks. Surprisingly, it is actually a tomb complex — dotted with mosques and domes from the Sayyid, Lodi and Mughal eras. Explore the park’s cultural and geographical significance by tracing the garden's history from the 15th century to the present, and read about the iconic figures and architectural styles associated with the monument.

Lingnan University’s Chamber of Young Snow Art Exhibition Hall (CYS Hall) curates Sensing Things - Phase II from now until November, exhibiting about 30 Chinese paintings and ceramics dating from the Song Dynasty to the 20th century from the Chamber of Young Snow Collection. The guided tour is free of charge, and CYS Hall will also hold two “Hands-on Journey of Traditional Ceramic Art: Porcelain Decoration” workshops in July, where participants create their own ceramic masterpieces. The public can register for free, but space is limited, and available on a first-come, first-served basis.

Associated with the forest and healing herbs, the goddess Parnashavari is revered for her ability to cure illnesses, contagious diseases and epidemics. A folk deity for the Shavari or Sabara indigenous community of central and eastern India, she was later integrated into the Buddhist pantheon and continues to be venerated in the Himalayan regions of Nepal and Tibet. Learn about her iconography and the symbolic objects and weapons she wields.

To propose a deeper understanding and appreciation of Hong Kong's urban landscape, Lingnan University is proud to present a tripartite exhibition at the Jockey Club Creative Arts Centre (JCCAC) from 22 June to 30 June 2024 with three independent themes: "Unfold City", "Beyond Fonts, Beyond Signboards", and "C-Lab: Laboratory for Cultural Hybridisation". Works displayed are by 18 artists based in Hong Kong and Mainland China, and include The.Plumber.King at Tai Nam Street by Hong Kong's best-known graffiti artist and plumber, Yim Chiu-tong, who has already taken part in many major exhibitions, as well as Shun Hing Restaurant by local illustrator and silhouette artist Wai Wai. The exhibition leads the audience to explore, understand, and appreciate the urban landscape of Hong Kong from a contemporary art perspective.

Renowned for its gleaming silver and gold inlay against dark metallic backgrounds, Bidriware metal work derives its name from the town of its origin — Bidar in southern India. While the earliest documented presence of Bidriware is in a 1625 Deccani miniature painting, the craft is believed to have originated in the 14th century under the patronage of the Bahmani Sultans. Bidriware's allure ensured that it was valued and patronised by royalty across the Indian subcontinent in the late medieval and early modern period. Read about this living tradition, and the processes behind the creation of Bidriware.

Late in the sixteenth century, a master artist from the Mughal emperor Akbar’s atelier adopted the technique of using monochromatic tones with highlights of colour or gold. Known as ‘nim qalam,’ Persian for ‘half pen,’ or ‘siyah qalam’ for ‘black pen’, this technique was eventually adopted by artists in the Deccan, and later the Rajput courts. Although its precise origins remain uncertain, nim qalam continues to be used by contemporary South Asian artists working on manuscript painting.

Once a two-armed attendant to the goddess Tara, over time, Marichi was increasingly endowed with power until she became a deity in her own right. Revered as a warrior and guardian against evil and darkness, Marichi’s imagery reveals myriad symbolisms — from her association with the sun to her role as a fierce protector. Read about the multifaceted nature of Marichi's mythology and imagery, spanning nations, cultures, and time.

In India’s dry, western-most state — Rajasthan — the gods are carried from village to village, and tales that surround the deity are narrated so that the devout may be blessed. The gods are housed in a ‘kavad’, a portable shrine adorned with intricate narrative paintings of folk tales and epics. Constructed from low-density wood and painted with mineral-derived pigments, the kavad serves as a conduit for the oral storytelling tradition known as kavad banchana. Learn about the synergy between the makers, painters and patrons of these shrines, and how this tradition continues to evolve.

In the late 1930s, French archaeologists discovered a large and remarkable group of ivory sculptures, in Afghanistan's Begram (present-day Bagram). Stipulated to have been used as accents or embellishments for wooden furniture, these carved objects showcase a blend of Greco-Roman, Central Asian, Mediterranean, and Indic stylistic influences. Despite the political upheavals in the region, some of these ivory artefacts still survive. Explore how ongoing scholarly efforts shed light on the historical significance of these art objects, highlighting the cultural connections that were built and flourished along the Silk Road.

In the early seventeenth century, the royal ateliers of the Mewar kingdom, in present-day western India, witnessed the emergence of a new miniature painting tradition. The Mewar School, as it is known, was patronised by the ruling Sisodia dynasty. Stemming from manuscript illustration, this tradition evolved to encompass intricately detailed portraiture. Delve into the evolution of the Mewar School, tracing its distinct styles, aesthetic influences, master artists, and the shifting preferences of its royal patrons.

Dated to the fourteenth century, the Chandayana is a Sufi romance that narrates the story of the lovelorn protagonists — Chanda and Laurik — in rhyming couplets. It was composed in the Awadhi dialect of Hindi, by the Chishti poet Mulla Daud. Five illustrated manuscripts of the poem were created between the fifteenth and sixteenth centuries, and they are housed in five different locations worldwide. These illustrated texts provide a lens into the history of manuscript paintings in the Indian subcontinent.

Prof Joshua Mok Ka-ho, Vice-President and Dean of the School of Graduate Studies of Lingnan University, presented at the Centre for Global Higher Education's (CGHE) Annual Conference 2024 at the Institute of Education, University College London, United Kingdom. The conference, which was titled "The Future of Higher Education", brought together scholars and researchers from around the world to discuss the opportunities and challenges facing higher education in the 21st century.

Lingnan University held its Staff Communication Day and Staff Party 2024 yesterday (15 February), where around 700 faculty members and staff gathered to celebrate the Year of the Dragon. This was the first university-wide event of its kind since Prof S. Joe Qin, President and Wai Kee Kau Chair Professor of Data Science of Lingnan University took office last year, connecting with all faculty members and staff and sharing the latest developments at the University.

Nestled in northern Karnataka, the Badami cave temples of India are adorned with a unique blend of intricate carvings that draw religious motifs from Shaivite, Vaishnavite and Jain traditions. Learn more about these 2nd-century rock-cut shrines that bear testament to ancient Indian royal patronage and religious syncretism.

The Punjab regions of India and Pakistan bear witness to a centuries-old, laborious tradition of embroidering cloth with silk threads. Called Vari da Bagh and Bagh, meaning “‘garden”’, these textiles are ritually significant and are adorned with geometric patterns or motifs that draw from the everyday life and culture of the region.

In the 16th and 17th centuries, religious ivory statuettes sculpted in colonial Goa sported a unique amalgamation of European and ancient Indian symbolisms. Discover the history of this Indo-Portuguese iconography and its ties to local evangelism, slavery and colonial export.

Amongst the earliest objects unearthed from Gandhara are carved stone dishes depicting guardian spirits, mythical creatures and scenes of merrymaking. Despite the carvings being rich in artistic and cultural information, they reveal little about the functions of these objects. Learn more about these enigmatic artefacts, and the material history of ancient Gandhara.

Since nearly the twelfth century, painters, called ‘patuas’, lived around the Jagannatha Temple at Puri in Odisha, painting tales from Hindu and Islamic religious mythologies, and local legends onto cloth scrolls. Discover how the rituals and festivals of the temple, and its principal deities — Jagannatha, Balabhadra, and Subhadra — inspire these paintings.

Created by western India’s nomadic Vaghri community, mata ni pachedi is a tradition of cloth painting dating back 300 years. Originally meant as canopies for shrines and as objects of ritual worship, these textiles depict a pantheon of local goddesses surrounded by regional motifs. Read on to understand how printing, painting and cloth come together in religious consumerism.

Since the 3rd century CE, master puppeteers of southern India have brought the epics of the subcontinent to life through Tholu Bommalata, a form of shadow puppetry performed with elaborate, life-sized leather puppets. Come discover this intricate musical theatre tradition that has been passed down from generation to generation and continues to thrive to this day.

The Cholamandal Artists' Village was established in 1966 to encourage self-sufficiency, community living and the creation of a South Indian visual identity. Since then, it has undergone a transformative journey. Discover its history and achievements.

Between the seventh and ninth centuries, south peninsular India experienced a cultural renaissance, resulting from the extensive patronage of a powerful dynasty, the Pallavas. Discover their unique contributions to the arts and literature of the time, which led to the creation of a new, Dravidian idiom of temple architecture in South Asia.