Culture

From an ancient Buddhist symbol representing the wheel of law to an enduring icon of self-reliance and resistance in the early twentieth century, the charkha, a hand-driven spinning wheel, and the chakra, the flat-spoked wheel with which it is often conflated, have lived many lives in South Asia.

Seed grants have been awarded to six applicants with high quality and well-outlined proposals to organize workshops promoting science advice at an institutional or national level in their respective countries in 2025.

On 12 December, Lingnan University hosted its biennial fundraising event, Kingrich Charitable Foundation presents: Lingnan University Gala Dinner 2024 for around 300 welcome guests. This year the theme was Lingnan’s Transformation into the Digital Era.

Perched on a hill overlooking the village of Thiksey in Ladakh, Thiksey Monastery is one of the most expansive Buddhist complexes in India. Notable for its vast collection of murals, sculptures and rare manuscripts, this 15th-century religious site is heavily fortified and was once an administrative centre.

Japanese language learning brought prosperity and persecution for women in Korea

For centuries, gold and silver ornamentation was used to embellish textiles. Gota work is one such technique, which incorporates these precious metals in appliqué form. Read more about the history of this craft, which is inspired by Mughal and Islamic art, and found on bridal and ceremonial garments across northern India.

In light of the Government’s recent Policy Address promoting Hong Kong as an international hub for post-secondary education, and to build the “Study in Hong Kong” brand, Lingnan University gave its annual International Day on 29 October a “Cultural Fusion, Global Vision” theme. The event attracted about 500 faculty members and students for a lively celebration of diversity and cultural exchange.

A study underscores the importance of taking into account local peoples’ everyday experiences, practices, and perceptions in establishing water quality.

A luminary of modern Indian art, Jamini Roy is celebrated for his experiments with Bengali patachitra painting traditions and his brightly hued, bold and two-dimensional depictions of human, animal and mythological forms. Discover the legacy of this 20th-century artist, whose works have been declared national treasures of India under the Antiquities and Art Treasures Act, 1972.

To encourage the development of innovative and creative design in Hong Kong, Lingnan University partnered with the renowned German iF Design Award ⸻ often referred to as the Oscar of Design ⸻ to co-host the Meet iF in Hong Kong seminar today (24 September) at Lingnan@WestKowloon in the M+ Building in the West Kowloon Cultural District. This sharing seminar, its inaugural collaboration with the local higher education sector, is the first event the iF has held in Hong Kong and was attended by dozens of representatives of leading Hong Kong, Mainland China and overseas companies. Among the attendees were Hong Kong’s 2024 iF Design Award winners, including esteemed local interior designers Ms Virginia Lung and Mr Andrew Lam, who spoke about their own distinctive design concepts and styles.

A rare artefact of 19th-century tawaif culture, The Beauties of Lucknow is a fascinating photograph album from colonial South Asia. Compiled in 1874, it consists of 24 portraits of courtesans from Awadh in present-day Uttar Pradesh. Read more to know how Darogah Abbas Ali, the photographer behind it, reimagined Mughal-era muraqqa traditions and colonial portraiture to create one of the earliest works of nostalgia on the tawaifs of Lucknow.

A board game made of cloth or paper and featuring a series of squares, snakes and ladders, with the latter functioning as karmic devices, gyan chaupar was not only a popular recreation in ancient India, but also an important spiritual tool. Literally translating to the ‘game of knowledge’ this game instilled lessons on attaining moksha or salvation from the cycle of death and rebirth. Read more about gyan chaupar’s many variations in medieval India and how it gradually evolved into a children’s board game at the turn of the twentieth century.

Since the early 1900s, Indian women artists have consistently raised sociopolitical issues with their aesthetic and thematic choices. While painters like Amrita Sher-Gil were among the privileged few to have received global recognition in their lifetime, the works of Sunayani Devi, Mrinalini Mukherjee, Bhuri Bai and others have been overlooked in favour of their more celebrated male peers. Discover the rich legacy of feminist consciousness in modern Indian art and how it has been shaped by gender justice movements and caste reform in recent decades.

A historic folk tradition from Bengal, patua combines storytelling with scroll painting. Performers of this tradition travel from one village to another, reciting tales from Hindu epics like the Ramayana, and from local Santhal mythologies, bringing them to life by unravelling vivid scroll paintings illustrating these stories. Discover the ancient history, decline and revitalisation of this folk tradition, and how the government has used it to promote family planning in postcolonial India.

Fragrant, sweet, exotic and golden-yellow, the mango is an apt metaphor for summer in South Asia. Domesticated over 4,000 years ago, it has been a symbol of wealth, desire and luxury in the subcontinent. Peel back the layers of this iconic fruit to reveal the reasons behind its enduring popularity and read more about mango’s significance through art objects and discover how artists and craftsmen have tried to capture its essence in all its glory.

A 90-acre garden complex in the heart of New Delhi, Lodi Gardens is one of the city’s most-loved public parks. Surprisingly, it is actually a tomb complex — dotted with mosques and domes from the Sayyid, Lodi and Mughal eras. Explore the park’s cultural and geographical significance by tracing the garden's history from the 15th century to the present, and read about the iconic figures and architectural styles associated with the monument.

Lingnan University’s Chamber of Young Snow Art Exhibition Hall (CYS Hall) curates Sensing Things - Phase II from now until November, exhibiting about 30 Chinese paintings and ceramics dating from the Song Dynasty to the 20th century from the Chamber of Young Snow Collection. The guided tour is free of charge, and CYS Hall will also hold two “Hands-on Journey of Traditional Ceramic Art: Porcelain Decoration” workshops in July, where participants create their own ceramic masterpieces. The public can register for free, but space is limited, and available on a first-come, first-served basis.

Associated with the forest and healing herbs, the goddess Parnashavari is revered for her ability to cure illnesses, contagious diseases and epidemics. A folk deity for the Shavari or Sabara indigenous community of central and eastern India, she was later integrated into the Buddhist pantheon and continues to be venerated in the Himalayan regions of Nepal and Tibet. Learn about her iconography and the symbolic objects and weapons she wields.

To propose a deeper understanding and appreciation of Hong Kong's urban landscape, Lingnan University is proud to present a tripartite exhibition at the Jockey Club Creative Arts Centre (JCCAC) from 22 June to 30 June 2024 with three independent themes: "Unfold City", "Beyond Fonts, Beyond Signboards", and "C-Lab: Laboratory for Cultural Hybridisation". Works displayed are by 18 artists based in Hong Kong and Mainland China, and include The.Plumber.King at Tai Nam Street by Hong Kong's best-known graffiti artist and plumber, Yim Chiu-tong, who has already taken part in many major exhibitions, as well as Shun Hing Restaurant by local illustrator and silhouette artist Wai Wai. The exhibition leads the audience to explore, understand, and appreciate the urban landscape of Hong Kong from a contemporary art perspective.

Renowned for its gleaming silver and gold inlay against dark metallic backgrounds, Bidriware metal work derives its name from the town of its origin — Bidar in southern India. While the earliest documented presence of Bidriware is in a 1625 Deccani miniature painting, the craft is believed to have originated in the 14th century under the patronage of the Bahmani Sultans. Bidriware's allure ensured that it was valued and patronised by royalty across the Indian subcontinent in the late medieval and early modern period. Read about this living tradition, and the processes behind the creation of Bidriware.

Asia Research News monitors the latest research news in Asia. Some highlights that caught our attention this week are how negative rumors affect children, a new fiber-sorting method, and an ancient Egyptian “anomaly”.

Late in the sixteenth century, a master artist from the Mughal emperor Akbar’s atelier adopted the technique of using monochromatic tones with highlights of colour or gold. Known as ‘nim qalam,’ Persian for ‘half pen,’ or ‘siyah qalam’ for ‘black pen’, this technique was eventually adopted by artists in the Deccan, and later the Rajput courts. Although its precise origins remain uncertain, nim qalam continues to be used by contemporary South Asian artists working on manuscript painting.

Once a two-armed attendant to the goddess Tara, over time, Marichi was increasingly endowed with power until she became a deity in her own right. Revered as a warrior and guardian against evil and darkness, Marichi’s imagery reveals myriad symbolisms — from her association with the sun to her role as a fierce protector. Read about the multifaceted nature of Marichi's mythology and imagery, spanning nations, cultures, and time.

Asia Research News monitors the latest research news in Asia. Some highlights that caught our attention this week are a floating platform that needs no energy, how shredding your anger can make you feel better, and an automatic lid that can help reduce bacteria in your bathroom.

Asia Research News monitors the latest research news in Asia. Some highlights that caught our attention this week are where music affects our bodies, a battery powered by the oxygen inside our bodies, and the largest bird family tree to date.

In India’s dry, western-most state — Rajasthan — the gods are carried from village to village, and tales that surround the deity are narrated so that the devout may be blessed. The gods are housed in a ‘kavad’, a portable shrine adorned with intricate narrative paintings of folk tales and epics. Constructed from low-density wood and painted with mineral-derived pigments, the kavad serves as a conduit for the oral storytelling tradition known as kavad banchana. Learn about the synergy between the makers, painters and patrons of these shrines, and how this tradition continues to evolve.

In the late 1930s, French archaeologists discovered a large and remarkable group of ivory sculptures, in Afghanistan's Begram (present-day Bagram). Stipulated to have been used as accents or embellishments for wooden furniture, these carved objects showcase a blend of Greco-Roman, Central Asian, Mediterranean, and Indic stylistic influences. Despite the political upheavals in the region, some of these ivory artefacts still survive. Explore how ongoing scholarly efforts shed light on the historical significance of these art objects, highlighting the cultural connections that were built and flourished along the Silk Road.

In celebration of International Women's Day, we are putting the spotlight on women experts from various fields who are open to speaking with international media about their research and advocacies.

In the early seventeenth century, the royal ateliers of the Mewar kingdom, in present-day western India, witnessed the emergence of a new miniature painting tradition. The Mewar School, as it is known, was patronised by the ruling Sisodia dynasty. Stemming from manuscript illustration, this tradition evolved to encompass intricately detailed portraiture. Delve into the evolution of the Mewar School, tracing its distinct styles, aesthetic influences, master artists, and the shifting preferences of its royal patrons.

Dated to the fourteenth century, the Chandayana is a Sufi romance that narrates the story of the lovelorn protagonists — Chanda and Laurik — in rhyming couplets. It was composed in the Awadhi dialect of Hindi, by the Chishti poet Mulla Daud. Five illustrated manuscripts of the poem were created between the fifteenth and sixteenth centuries, and they are housed in five different locations worldwide. These illustrated texts provide a lens into the history of manuscript paintings in the Indian subcontinent.