Arts Visual Arts

The Chamber of Young Snow Art Exhibition Hall at Lingnan University in Hong Kong presents “Print and Preservation: Special Exhibition on the Exhortations to Promote Good Deeds by Empress Renxiao of the Great Ming”. This is the first public display of the rare 1405 imperial edition from the third year of the Yongle reign compiled by Empress Renxiao of the Ming dynasty. A detailed examination of the historical context and content of this work highlights how the Ming imperial court published ethical and moral texts to assert its legitimacy and stability. Visitors will receive a free copy of the picture book “Dai Ming: Keeper of Time and Legacy” created by artist Lam Kin-choi at certain events held as part of the special exhibition. For more details, please stay tuned to our social media channels. The exhibition runs from now until 2 December 2025.

Often depicted as a celestial being traversing the sky in a horse-drawn chariot, Surya is the sun god in Hinduism. Once a prominent Vedic figure, today his importance has declined. Discover the many mythologies of this solar deity, whose worship can be traced to the second century BCE.

In 1864, Prussian photographer John Edward Sache arrived in Calcutta and set up a studio in partnership with WF Westfield. From albumen prints of cityscapes to controversial photographs of Indians, Sache’s career embodied British imperial attitudes to colonised landscapes and peoples.

A popular pastime in South and Southeast Asia, carrom is played by flicking and pocketing coin-like discs across a smooth tabletop made of wood. Did you know that this game, which originated in India, is now played professionally in competitions across the West?

Lacquerware and porcelain are significant in the history of Chinese civilisation. Lingnan University’s Chamber of Young Snow Art Exhibition Hall is hosting a new exhibition, titled ‘Shine and Shade, Earth and Wood: The Story of Everyday Porcelain and Lacquer’ from 17 February to 2 December 2025 featuring over 30 rare and exquisite lacquer and porcelain pieces from the Tang to the Qing dynasties. Experts and academics from the Victoria and Albert Museum (V&A), Art Museum of The Chinese University of Hong Kong and Zhejiang Provincial Museum will lecture on the culture, design, and academic research of Chinese handicrafts, and Lingnan will also organise two workshops on ‘The Beauty of Everyday: Experience Session on Chinese Lacquer Decorations’. The public is welcome to register and participate.

From an ancient Buddhist symbol representing the wheel of law to an enduring icon of self-reliance and resistance in the early twentieth century, the charkha, a hand-driven spinning wheel, and the chakra, the flat-spoked wheel with which it is often conflated, have lived many lives in South Asia.

Perched on a hill overlooking the village of Thiksey in Ladakh, Thiksey Monastery is one of the most expansive Buddhist complexes in India. Notable for its vast collection of murals, sculptures and rare manuscripts, this 15th-century religious site is heavily fortified and was once an administrative centre.

For centuries, gold and silver ornamentation was used to embellish textiles. Gota work is one such technique, which incorporates these precious metals in appliqué form. Read more about the history of this craft, which is inspired by Mughal and Islamic art, and found on bridal and ceremonial garments across northern India.

A luminary of modern Indian art, Jamini Roy is celebrated for his experiments with Bengali patachitra painting traditions and his brightly hued, bold and two-dimensional depictions of human, animal and mythological forms. Discover the legacy of this 20th-century artist, whose works have been declared national treasures of India under the Antiquities and Art Treasures Act, 1972.

A rare artefact of 19th-century tawaif culture, The Beauties of Lucknow is a fascinating photograph album from colonial South Asia. Compiled in 1874, it consists of 24 portraits of courtesans from Awadh in present-day Uttar Pradesh. Read more to know how Darogah Abbas Ali, the photographer behind it, reimagined Mughal-era muraqqa traditions and colonial portraiture to create one of the earliest works of nostalgia on the tawaifs of Lucknow.

A board game made of cloth or paper and featuring a series of squares, snakes and ladders, with the latter functioning as karmic devices, gyan chaupar was not only a popular recreation in ancient India, but also an important spiritual tool. Literally translating to the ‘game of knowledge’ this game instilled lessons on attaining moksha or salvation from the cycle of death and rebirth. Read more about gyan chaupar’s many variations in medieval India and how it gradually evolved into a children’s board game at the turn of the twentieth century.

Since the early 1900s, Indian women artists have consistently raised sociopolitical issues with their aesthetic and thematic choices. While painters like Amrita Sher-Gil were among the privileged few to have received global recognition in their lifetime, the works of Sunayani Devi, Mrinalini Mukherjee, Bhuri Bai and others have been overlooked in favour of their more celebrated male peers. Discover the rich legacy of feminist consciousness in modern Indian art and how it has been shaped by gender justice movements and caste reform in recent decades.

A historic folk tradition from Bengal, patua combines storytelling with scroll painting. Performers of this tradition travel from one village to another, reciting tales from Hindu epics like the Ramayana, and from local Santhal mythologies, bringing them to life by unravelling vivid scroll paintings illustrating these stories. Discover the ancient history, decline and revitalisation of this folk tradition, and how the government has used it to promote family planning in postcolonial India.

Fragrant, sweet, exotic and golden-yellow, the mango is an apt metaphor for summer in South Asia. Domesticated over 4,000 years ago, it has been a symbol of wealth, desire and luxury in the subcontinent. Peel back the layers of this iconic fruit to reveal the reasons behind its enduring popularity and read more about mango’s significance through art objects and discover how artists and craftsmen have tried to capture its essence in all its glory.

A 90-acre garden complex in the heart of New Delhi, Lodi Gardens is one of the city’s most-loved public parks. Surprisingly, it is actually a tomb complex — dotted with mosques and domes from the Sayyid, Lodi and Mughal eras. Explore the park’s cultural and geographical significance by tracing the garden's history from the 15th century to the present, and read about the iconic figures and architectural styles associated with the monument.

Associated with the forest and healing herbs, the goddess Parnashavari is revered for her ability to cure illnesses, contagious diseases and epidemics. A folk deity for the Shavari or Sabara indigenous community of central and eastern India, she was later integrated into the Buddhist pantheon and continues to be venerated in the Himalayan regions of Nepal and Tibet. Learn about her iconography and the symbolic objects and weapons she wields.

Renowned for its gleaming silver and gold inlay against dark metallic backgrounds, Bidriware metal work derives its name from the town of its origin — Bidar in southern India. While the earliest documented presence of Bidriware is in a 1625 Deccani miniature painting, the craft is believed to have originated in the 14th century under the patronage of the Bahmani Sultans. Bidriware's allure ensured that it was valued and patronised by royalty across the Indian subcontinent in the late medieval and early modern period. Read about this living tradition, and the processes behind the creation of Bidriware.

Late in the sixteenth century, a master artist from the Mughal emperor Akbar’s atelier adopted the technique of using monochromatic tones with highlights of colour or gold. Known as ‘nim qalam,’ Persian for ‘half pen,’ or ‘siyah qalam’ for ‘black pen’, this technique was eventually adopted by artists in the Deccan, and later the Rajput courts. Although its precise origins remain uncertain, nim qalam continues to be used by contemporary South Asian artists working on manuscript painting.

Once a two-armed attendant to the goddess Tara, over time, Marichi was increasingly endowed with power until she became a deity in her own right. Revered as a warrior and guardian against evil and darkness, Marichi’s imagery reveals myriad symbolisms — from her association with the sun to her role as a fierce protector. Read about the multifaceted nature of Marichi's mythology and imagery, spanning nations, cultures, and time.

In India’s dry, western-most state — Rajasthan — the gods are carried from village to village, and tales that surround the deity are narrated so that the devout may be blessed. The gods are housed in a ‘kavad’, a portable shrine adorned with intricate narrative paintings of folk tales and epics. Constructed from low-density wood and painted with mineral-derived pigments, the kavad serves as a conduit for the oral storytelling tradition known as kavad banchana. Learn about the synergy between the makers, painters and patrons of these shrines, and how this tradition continues to evolve.

In the late 1930s, French archaeologists discovered a large and remarkable group of ivory sculptures, in Afghanistan's Begram (present-day Bagram). Stipulated to have been used as accents or embellishments for wooden furniture, these carved objects showcase a blend of Greco-Roman, Central Asian, Mediterranean, and Indic stylistic influences. Despite the political upheavals in the region, some of these ivory artefacts still survive. Explore how ongoing scholarly efforts shed light on the historical significance of these art objects, highlighting the cultural connections that were built and flourished along the Silk Road.

In the early seventeenth century, the royal ateliers of the Mewar kingdom, in present-day western India, witnessed the emergence of a new miniature painting tradition. The Mewar School, as it is known, was patronised by the ruling Sisodia dynasty. Stemming from manuscript illustration, this tradition evolved to encompass intricately detailed portraiture. Delve into the evolution of the Mewar School, tracing its distinct styles, aesthetic influences, master artists, and the shifting preferences of its royal patrons.

Dated to the fourteenth century, the Chandayana is a Sufi romance that narrates the story of the lovelorn protagonists — Chanda and Laurik — in rhyming couplets. It was composed in the Awadhi dialect of Hindi, by the Chishti poet Mulla Daud. Five illustrated manuscripts of the poem were created between the fifteenth and sixteenth centuries, and they are housed in five different locations worldwide. These illustrated texts provide a lens into the history of manuscript paintings in the Indian subcontinent.

Nestled in northern Karnataka, the Badami cave temples of India are adorned with a unique blend of intricate carvings that draw religious motifs from Shaivite, Vaishnavite and Jain traditions. Learn more about these 2nd-century rock-cut shrines that bear testament to ancient Indian royal patronage and religious syncretism.

The Punjab regions of India and Pakistan bear witness to a centuries-old, laborious tradition of embroidering cloth with silk threads. Called Vari da Bagh and Bagh, meaning “‘garden”’, these textiles are ritually significant and are adorned with geometric patterns or motifs that draw from the everyday life and culture of the region.

In the 16th and 17th centuries, religious ivory statuettes sculpted in colonial Goa sported a unique amalgamation of European and ancient Indian symbolisms. Discover the history of this Indo-Portuguese iconography and its ties to local evangelism, slavery and colonial export.

Amongst the earliest objects unearthed from Gandhara are carved stone dishes depicting guardian spirits, mythical creatures and scenes of merrymaking. Despite the carvings being rich in artistic and cultural information, they reveal little about the functions of these objects. Learn more about these enigmatic artefacts, and the material history of ancient Gandhara.

Since nearly the twelfth century, painters, called ‘patuas’, lived around the Jagannatha Temple at Puri in Odisha, painting tales from Hindu and Islamic religious mythologies, and local legends onto cloth scrolls. Discover how the rituals and festivals of the temple, and its principal deities — Jagannatha, Balabhadra, and Subhadra — inspire these paintings.

Created by western India’s nomadic Vaghri community, mata ni pachedi is a tradition of cloth painting dating back 300 years. Originally meant as canopies for shrines and as objects of ritual worship, these textiles depict a pantheon of local goddesses surrounded by regional motifs. Read on to understand how printing, painting and cloth come together in religious consumerism.

Since the 3rd century CE, master puppeteers of southern India have brought the epics of the subcontinent to life through Tholu Bommalata, a form of shadow puppetry performed with elaborate, life-sized leather puppets. Come discover this intricate musical theatre tradition that has been passed down from generation to generation and continues to thrive to this day.